Eachin is not just collaboration—it is a living medium. Two artists, bound by one arm, create paintings as a single perceptual system. In the spirit of Marshall McLuhan, we treat the method as the message: the body is the brush, the limitation is the amplifier.
Like McLuhan’s media extensions, we extend our senses through each other, forming a collective eye and hand. But rather than numb ourselves through extension, we intensify presence. Eachin is a deliberate disruption of authorship—a radical refusal of individual control in favor of shared awareness.
Our paintings are not representations. They are recordings of altered cognition—of what becomes visible when two people choose to perceive as one.