Inspired by John Berger’s challenge to the way we see, Eachin resists the logic of singular authorship, objectification, and visual mastery.
In tying our bodies together, we relinquish control over the image, over composition, over ourselves. We paint not to assert vision, but to witness it. Eachin reclaims the space before judgment, before language—a zone where perception is collective, intuitive, and incomplete.
These works are not composed; they are arrived at. They are not messages, but evidence. Traces of a moment when two people chose to see with one shared hand.